[vc_row][vc_column][vc_column_text]One of the oldest forms of communication in the alpine world, the yodel, sounded out in a chorus of 1,000 voices to open the year 2024 in the city of Bad Ischl with Hubert von Goisern. Doris Uhlich presented her powder dance. Conchita Wurst, Camo & Krooked and fanfare blowers from the 23 communities of the European Capital of Culture region were just some of the artists who shaped the opening event. The open air performance with more than 5.000 guests was sonically structured by immersive sound installations and musical miniatures by Tilman Kanitz.[/vc_column_text][/vc_column][/vc_row]
Tag: composer
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Übungen zur Verwunderung
[vc_row][vc_column][vc_column_text]Übungen zur Verwunderung was a two-hour sound walk through the Museum Küppersmühle for Contemporary Art. It created dialogues with the exhibited artworks and played with the unique acoustic possibilities offered by the former industrial compound, which became an artwork in itself through the restoration work carried out by architects Herzog & de Meuron. The music, curated and collaged by Tilman Kanitz, spanned pieces such as Bach’s Violin Sonatas, contemporary music by Helmut Lachenmann, Milica Djordjević and anonymous music from the 14th century, as well as a version of John Cage’s Atlas Eclipticalis (1962).
Duisburg Philharmonic Orchestra at Museum Küppersmühle for Contemporary Art
Art Direction and Staging by: Tilman Kanitz, Ludger Engels
Music Curation by: Tilman Kanitz
Program:
Johann Sebastian Bach: Verleih uns Frieden gnädiglich
Tilman Kanitz: Past Present Future, für Kontrabass, Cello, Sinustöne und Delay
Milica Djordjević: Do you know how to bark“ for Contrabass solo (2010)
Anonym: Trotto (Italien, 14. Jahrhundert), Flöte Solo
Georges Barboteu: Cinq Pieces Poetiques pour Cor Seul V. Mouvement très libre
Hildegard von Bingen: Antiphon „O Ecclesia“, Flöte Solo
Giacinto Scelsi: Tre Pezzi für Posaune, Nr. 1
Tan Dun: Heaven Earth Mankind (arr. F. Slenczka)
Toshio Hosokawa: Small Essay for Contrabass Solo
Georges Barboteu: Cinq Pieces Poetiques pour Cor Seul III. Mouvement très large
John Dowland: A Fancy, P. 6, Laute Solo
Giacinto Scelsi: Tre Pezzi für Posaune, Nr. 1 & 2
Helmut Lachenmann: Toccatina für Violine Solo (1986)
Claude Debussy: Syrinx (1913), Flöte Solo
Johann H. Kapsberger: Toccata VI Laute Solo
Alan Fabian: Out of Space, Kontrabass Solo
Giacinto Scelsi: Tre Pezzi für Posaune, Nr. 3
Zoltan Kodály: Sonate für Violoncello Solo, op. 8 II. Adagio
Georges Barboteu: Cinq Pieces Poetiques pour Cor Seul II. Mouvement tres libre
Georges Aperghis: Obstinate (2017), Kontrabass Solo
Jacob van Eyck: Der fluyten lusthof, Flöte solo Engels Nachtegaeltje
Malcolm Arnold: Fantasy for Horn, Op. 88
Dorothee Oberlinger: Improvisation für Bassflöte
Zoltan Kodály: Sonate für Violoncello Solo, op. 8 II. Adagio
Giacinto Scelsi: Tre Pezzi für Posaune
Johann Sebastian Bach – aus: Partita Nr. 1 in h-Moll, BWV 1002 Sarabande und Double
Richard Wagner – Siegfried-Ruf aus „Siegfried“
John Cage – Atlas Eclipticalis (1962)Credits:
Art Directors: Tilman Kanitz, Ludger Engels
Stage and musical director: Tilman Kanitz
Dorothee Oberlinger: Flöte
Jakob Wagner: Laute
David Barreda: Horn
Rocco Rescigno: Posaune
Tonio Schibel: Violine
Fulbert Slenczka, Tilman Kanitz: Violoncello
Christoph Weinig: Kontrabass
Francesco Savignano: Kontrabass
Philipp Lojak: Production[/vc_column_text][/vc_column][/vc_row] -
Lulu
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Stage Director: Ludger Engels
Stage Design: Volker Thiele
Sound Design: Tilman Kanitz
Costume Design: Raphael Jacobs[/vc_column_text][/vc_column][/vc_row] -
Apeiron
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Drama by Anja Hilling
Stage Director: Ludger Engels
Music and Sound Design: Tilman Kanitz
Performers: Lydia Stäubli, Klaus Zmorek, Jan Viethen, Tilman Kanitz, Choir (Sulamith Hartmann, Leona Holzki, Elias Konradi)[/vc_column_text][/vc_column][vc_column width=”2/3″][vc_single_image image=”1721″ img_size=”full”][/vc_column][/vc_row] -
Clash
[vc_row][vc_column width=”1/3″][vc_wp_text][/vc_wp_text][/vc_column][vc_column width=”2/3″][vc_column_text]Clash de Cartier was an experimental music theatre and fashion show, commissioned by Cartier and art-directed by Tilman Kanitz. It was held at the Eissbach Studios in Munich. The audience was separated from the stage by a 30-by-8-metre transparent foil to keep the stage filled with fog and the audience space clear. Spectators experienced a dance and music performance that appeared and disappeared into the white clouds like ever-changing, blurred tableaux vivants. The music ranged from Purcell and Handel to contemporary pop and electronic music, including a premiere by Yello.
Credit:
Singers: Tahnee Niboro, Antigone Papoulkas
Violin solo: Chouchane Siranossian
Choreographer: Frank Willens
Artistic Director: Tilman Kanitz[/vc_column_text][/vc_column][/vc_row] -
MUD
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Voice: Iza Mortag Freund
Elektronik: Ole Brolin
Cello: Michael Rauter, Tilman Kanitz
Artistic Director: Tilman Kanitz[/vc_column_text][/vc_column][vc_column width=”2/3″ animation=”wpb_bottom-to-top” offset=”vc_hidden-xs”][vc_single_image image=”202″ img_size=”full” add_caption=”yes”][/vc_column][/vc_row]